This blog so far has mostly focused on music electronically crafted for the modern dance floor—synthesized instruments; vocal samples cut up, wrung out, and pasted back together again, often rendered unrecognizable; …

Harry Parsons’ Eden EP has the disco you need to properly kick off the summertime. Listening is taking a shot of fresh-squeezed Florida orange juice while staring at the solar eclipse— …

With The Division, Krystal Klear presents a quandary that lays bare my biggest quandary of electronic music today. The 1980s was the decade of the synthesizer, a golden era when the …

They say the rain in Spain stays mainly on the plain. But, in Bicep’s case, it’s just stormy weather. Not the disastrous kind of storms, but the foreboding kind that encourages you stay …

All That Must Be, George FitzGerald’s second full-length album, covers a lot of emotional ground from beginning to end, but it doesn’t require us as listeners to travel much from one …

Feel My Bicep Records is furiously punching 2018 into the future with its first release of the year, C-Space EP by Hammer. This EP is pure energy, and listening to it is like splitting an atom …

If I had one word to sum up ‘Looking from Above (ft. Yaeji)’ by Fede Lng, it would be whimsy. This song is the techno soundtrack to a Midsummer Night’s Dream. It’s dark, but only where it needs to be to make me feel like a badass ...